My admiration for this artwork is based on how the artist depicted the dancers who appear to be moving around within the frame. The artist wanted to depict the beauty of the ballet and dancers that successfully made performances toward the beginning of the modern world. Instead of just appreciating this masterpiece, I decided, as part of my education, to discuss The Rehearsal of the Ballet Onstage due to how I was overwhelmed by it. This artwork made me feel that I had met him for the first time. Before visiting the exhibition, I was familiar with Degas’ artworks longer than I could remember. Specifically, this artwork was daring, dynamic, and combined all the aspects of radical foreshortening of the vast areas of the composition. I was completely blown away by the serenity of the place and the artwork. My attention was immediately drawn towards The Rehearsal of the Ballet Onstage. The place was overcrowded, but I could not hide my admiration for Degas’ artworks. I did visit galleries and exhibitions with the MMA to have a glimpse of some of his artworks. #Edgar degas the rehearsal of the ballet onstage how to#He knew how to play with forms, lines to structure artworks that could communicate diverse themes. I was somewhat habituated with his artistic charms, and that made acknowledge and appreciate the greatness of his works. Visiting the museum was exciting having known Degas for so long. My visit to the museum was successful, and my attention was drawn to this artwork. Degas’s preparation in the composition of the art is well anchored on how he adequately prepared for each object in the drawing, ranging from the dancers on the background, foreground, and the woman seen to be yawning next to the stage. Distinctively, The Rehearsal of the Ballet Onstage artwork is believed to have preceded another version of pastes, which artists opine was more freely handled (Degas, 2010). The two other artworks that appeared alongside this are displayed in the metropolitan collection of art. According to visual analysts, it is the first largest, painting to have appeared in the first Impressionist exhibition in 1874 (Degas, 2010). The artwork follows the guidelines and styles of impressionism movement. This is attributed to the similarity of scenes in the composition and how precise relationships have been established to achieve unity. This masterpiece by Degas has confused many artists in the past decades. The artwork has been classified as a drawing. At the MMA, the artwork measures 54.3 by 73 cm. All these materials are then mounted on canvas. There are traces of watercolor and a paste that is used to draw a cream-colored wove on paper. The medium of the composition is oil that is freely mixed with turpentine. This painting clearly shows the Parisian culture because ballet was a major aspect at that time.The artwork, The Rehearsal of the Ballet Onstage, was composed by Edgar Degas, a French artist in 1874. The colors are dull, reinforcing the mood.īallet Rehearsal on Stage is a prime example of Degas' work. In the bottom right corner of the painting, the first empty row of the theater is shown, once again reiterating that it is a rehearsal shown. Author, Francesco Salvi, has his own view of Degas'ĭepiction: "In The Rehearsal on Stage he captures the repetitious nature of a job like any other: the ballerinas' movements, rehearsed and re-rehearsed, an old teacher, two bored onlookers". The dancers do not show the beauty seen on the stage. Yawning, with both hands stretched back behind head, head raised, and mouth wide open. Every dancer has a different facial expression, but all of the expressions read as one mood: fatigue. The dancers shown are dressed uniformly, their faces are not uniform. The dancers are not only dancing but they are stretching and yawning. Most ballet scenes show dancers performing for an audience, but Degas shows the dancers in a different way. Keith Roberts said, "It retains little quiet charm, like The most obvious difference between this painting of ballet and another impressionist's ballet scene is that the dancers are rehearsing. The lack of color is evidence of the painting's anit-impressionism. Ballet Rehearsal on Stage, painted in 1874, was not a typical impressionist painting.
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